We Watch Train Wrecks
Are writers "everyday sadists" because we ratchet up conflicts and place our protagonists in dire and painful circumstances?
Are writers "everyday sadists" because we ratchet up conflicts and place our protagonists in dire and painful circumstances?
I use the movie Fruitvale Station as an example of how writers can go beyond stereotype to create sympathetic, multidimensional characters.
Hudson, New York was a whaling town in the 19th century, which led to the adoption of the whale as the town's symbol. For several years I have exhibited at…
In my first two months on Instagram, I've gotten to know a lot of Lego builders and photographers, and I'm honored that some of my favorite Lego people there have…
Although I've been busy trying to promote Rogue, I also have a new YA novel that I finished and sent off to my agent last November. Titled ANTS GO MARCHING,…
Yesterday morning I received a lovely thank-you from Michael Guarneiri, the English teacher who invited Fatima Shaik and me to Arts & Media Prep high school on Monday for a…
Tomorrow is the launch day for Rogue, and I've been busy writing guest blog posts and answering interview questions to get the word out. Last week, Janet Fox featured my…
Apparently, a lot better than uploading my video progress report to this web site. In the end, I had to delete the videos and substitute a photo of my first…
I'm in an online discussion group for writers that's run by the lovely and brilliant author of the just-published middle-grade fantasy Jinx. Last week her topic was "Passive Protagonist Syndrome,"…
I'm nearing the halfway mark in my Portuguese class. We've had one test so far, another next week, and the two-day midterm exam the first week in April. We also…